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Reviewing Films from the Japanese Film Festival Online 2022
February 27, 2022
From February 14 to February 28, 2022, the Japan Foundation released 20 Japanese films of various genres for free in 25 countries. ( Apparently, the first Japanese online film festival was held across five continents and 20 countries from November 2020 to March 2021, but unfortunately I never found out about it.) Here are my thoughts on the popular films to watch:
Director: Shinobu Yaguchi
In the first thirty minutes of the film we see a series of actions that took place behind the scenes before a commercial plane took off from the airport. When an aircraft takes off and encounters various problems caused by natural, mechanical and human causes, the crew on board and on the ground work together to ensure the well-being of the passengers.
All of these people have their own little stories, most of which are hilarious. In comedy, you can't help but feel the tension and drama of the situations. It really is everything you've ever thought about in the airline industry but were too afraid to ask or too afraid to really know. I will definitely keep this film in mind for my next flight. 8/10
Directed by Sushi Matsumoto
High school student movie buff Barefoot (Marika Ito) and her best friends Kickboard (Yumi Kawai) and Blue Hawaii (Kirara Inori) decided they wanted to make the perfect teenage samurai movie. When she saw Rintaro (Daichi Kaneko), she knew she had the leading man. He gathered a diverse group of classmates on his team to make the film of his dreams.
Film buffs and filmmakers will love this fun and entertaining teen parenting film as it shows how these enthusiastic kids used a makeshift phone and technology to create their masterpiece. There was also an unexpected sci-fi twist that took the film in a completely different direction, eventually revealing a sentimental message. 8/10
Directed by Haruki Kadokawa
As children, Mio and Noe were best friends. During a great flood, they were both orphaned and separated from each other. 10 years later, Mio has become a talented cook and Noe is a top-notch courtesan to Asahi. When Mio's egg custard dish became very popular, they had the opportunity to meet, but Asahi's strict contract prevented it.
Perhaps the film turned out to be quite slow and long, and the plot was completely predictable. However, it had beautiful settings and costumes that took us back to a fascinating past. The storytelling style was poignant and elegant, directed by veteran director Haruki Kadokawa and starring Honoka Matsumoto. 8/10
Directed by Hisashi Kimura
dr Shugo Hayami (Kentaro Sakaguchi) was asked to work the night shift at a long-term hospital. That night, a deranged criminal wearing a clown mask walks in with a hostage, Hitomi Kawasaki (Mai Nagano), who shot her. The hospital director Tadokoro (Masanobu Takashima) and his two nurses were behaving very strangely.
Although the film's plot is highly unrealistic, the slow and deliberate Japanese treatment made it tense and exciting as Dr. Hayami gradually found out what disturbing activities were going on in this hospital. The events unfolded over the course of one night, but they explained in detail everything that really happened. 6/10
Director: Yukiko Sode
After sudden disaster and disastrous dating, Hanako Haibara (Mugi Kadawaki) finally meets the man of her dreams, Koichiro Aoki (Kenga Kora), the scion of a wealthy family of politicians. One night at an exclusive party, Hanako's fiddler friend Itsuko (Shizuka Ishibashi) notices that Koichiro knows another girl very well named Miki (Kiko Mizuhara).
A silent drama that clashes the lifestyles of two women: Hanako was rich and privileged but was trapped by her class. Mickey was poor and had to work to survive, but she could do whatever she wanted. Beautiful cinematography, well-thought-out script, understated performance by the entire cast make this film memorable and insightful. 9/10
Director: Ryota Nakano
Futaba (Rie Miyazawa) has spent the last year raising her 16-year-old daughter Azumi (Hana Sugisaki) alone after her husband Kazuhiro (Jo Odagiri) disappeared with them. One day he was diagnosed with terminal pancreatic cancer and given only a few months to live. He had to organize himself and prepare his family for his possible departure.
This is a family melodrama, the common theme of which is mother's rejection. The Japanese can really say that these stories are very exciting but not too sentimental. Writer-director Ryota Nakano has definitely endeared himself to all of the characters. Overall, this movie was a real tearjerker, but ironically, I still found it entertaining and cathartic. 9/10
Directed by Akira Kurosawa
Two men, a woodcutter and a priest, hid in the ruins of an ancient city gate called Rashomon. There they told another guy about a strange criminal case in which they were called as witnesses. The samurai was found dead in the forest. The wife was raped. The suspect was Tajamaru, a notorious gangster. But what really happened?
This is a classic film by Master Akira Kurosawa about the truth and its various selfish versions. The magnetic Toshiro Mifune overplayed his mad thug hero, unlike Masayuri Mori, who played his samurai hero sparingly. As a samurai wife, Matiko Kyo had a distinctive look and captivating style. 8/10
Director: Takashi Inami
Kazua Yamagishi was the owner of the Taishoken ramen shop in Tokyo's Ikebukuro district, where there was usually a two-hour line of loyal customers waiting their turn. This documentary follows the story from its humble beginnings to its humble end.
He speaks about his generosity by sharing his recipe with his students, who have been able to open their own branches without having to pay franchise fees. He talks about his health issues that kept him hospitalized for six months and the larger impact it has had on his shop. 6/10
Directed by Takeshi Furusawa
Arata Kaizaki (Taishi Nakagawa) was an unemployed 27-year-old single man. He was offered the chance to live for a year as a 17-year-old high school student in a medical experiment called ReLIFE. As a young man, he was able to bond with a select group of friends and even fell in love with the smartest girl in the class, Chizuru Hishiro (Yuna Taira).
The production was interesting and the actors performed it well. But on reflection, how could that year of high school really change her outlook on life, especially given how unclear what her early days of high school were like? So after the experience and the next day you wake up as an adult, how can you get your life back on track so quickly? 6/10
Director: Yuichiro Hirakawa
Ayumi (Tori Matsuzaka) Ayumi helped her grandmother (Kirin Kiki) become a leftist, a person who allows the dead to meet the living. You are helping a person who has not told his mother that he is dying; the girl who may have caused her best friend's death; a man who has been unable to turn the pages since the disappearance of his fiancee seven years ago.
It was a solemn film about unresolved issues and regrets that arise when a person dies. However, I think the Japanese know how to approach such a painful subject with such a gripping plot, without unnecessarily heavy melodramas. This was another beautifully crafted Japanese life-and-death film told with sincerity and respect. 9/10
Director: Miwa Nishikawa
Masao Minami has just been released from prison after serving a 13-year sentence for murder, for which he still believes he is being wrongly tried. He tried to adapt but had little luck due to his past involvement with the Yakuza. Despite his unstable mood, he found friends in his neighborhood who supported his success.
Lead actor Koji Yakusho's powerful and boundless performance as Masao Mikami makes this a must-see movie. Taiga Nakano as Ryutaro Tsunoda, the TV director hired to film his life story, is also commendable. The plot of an old concept trying to fit into society may be familiar enough, but then again, Japanese film's unique perspective makes it special. 7/10
Director: Satoka Yokohama
Ito Soma (Ren Komai) is an awkward and extremely shy 16-year-old college student who, against the wishes of her strict teacher father (Etsushi Toyokawa), has decided to work part-time at a maid cafe. His friendly colleagues Mr. Kudo (Ayumu Nakajima), single mother Sachika (Mei Kurakawa) and anime artist Tomomi (Mayu Yokota) help him open up and break out of his thick shell.
It was a fairly slow film with a very familiar story of a mature teenager rebelling against his parents. What sets it apart from other films on the same subject is the unusual contrast between the modern Japanese phenomenon of maid cafes and the traditional musical instrument called the shamisen, which Ito learned to play from his grandmother (Yoko Nishikawa) and late mother. Mother 6/10.
Director: Yukiko Mishima
Mizushima and his young wife, Rie, opened a small cafe and inn on a scenic hillside on the shores of Lake Toya in the city of Tsukiura on the island of Hokkaido. The tasty bread baked by Mizushima and the sumptuous meals prepared by Ri helped heal the broken lives of the guests who stayed there: Kaori, who had been abandoned by her boyfriend, Miku, their mother left her and her father, and M. Sakamoto, who was about to lose his wife.
It was a touching little film dealing with a fairly serious subject that could bring tears but still make you smile. It can inspire you to never give up on your life-changing destiny. Emotional food photography made them look and taste so good that everyone joined in, outwardly celebrating the spirit of “community” and inwardly healing their damaged and wounded psyches. 8/10
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