Judul : Netflix: Review of DON'T LOOK UP: Apathy to an Apocalypse
link : Netflix: Review of DON'T LOOK UP: Apathy to an Apocalypse
Netflix: Review of DON'T LOOK UP: Apathy to an Apocalypse
December 25, 2021
Kate DiBiaschi (Jennifer Lawrence), an astronomy student at the University of Michigan, has discovered a new comet orbiting the Earth. His teacher, Dr. Randall Mindy (Leonardo DiCaprio), calculated that in about six months, a comet the size of a mountain would crash into the Pacific Ocean and cause a cataclysm that would wipe out the entire planet. However, when they tried to brief US President Jeannie Orleans (Meryl Streep), they were simply rebuffed.
This movie was about an impending apocalyptic cataclysm caused by a comet colliding with Earth, much like Deep Impact (1998) and Armageddon (1998) and more recently Greenland (2020). However, while previous films have been full of emotion, nostalgia and melodrama, this new film, written, directed and produced by Adam McKay, is a disturbing black comedy and political satire against the United States government.
Adam McKay rose to fame as the head writer for Saturday Night Live in the 1990s and later collaborated with Will Ferrell on several popular comedies such as The Host (2004). Over the past decade, McKay has gained increasing recognition as a filmmaker, with The Big Short (2015) winning five Academy Awards, including Best Picture and an adapted screenplay for McKay. It was followed by Vice (2018), which had 8 Oscar nominations including Best Picture.
In addition to DiCaprio, Lawrence and Streep, there were two other Oscar winners: Cate Blanchett (as the sassy TV host) and Mark Rylance (as the CEO of a telecommunications company), as well as two Oscar nominees (as the annoying boss staff) and Timothée Chalamet (as the Yule skater). Also notable are Rob Morgan (as a NASA employee), Ron Perlman (as General Boomer), Tyler Perry (as Blanchett's co-host), and Ariana Grande (as a pop star, of course).
Mackay was scathing here, describing the incompetence of the US government, the pervasive influence of big business, and the artificiality of the media. DiCaprio's performance as a shy middle-aged scholar who became the center of attention for national celebrities was the glue that held the play together. His midair breakup scene was impressive, while his tabletop scene, minus the cliffhanger, was full of genuine emotion. 8/10
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