Netflix: Review of WINDFALL: Cash and Class Conflicts

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Netflix: Review of WINDFALL: Cash and Class Conflicts

March 19, 2022



The CEO of a billion-dollar tech company (Jesse Plemons) and his fundraiser wife (Lily Collins) flee to their remote country estate. When they arrive, they find that a man (Jason Segel) has entered their room. When his planned quick escape gets into serious trouble, the attackers take them both hostage. He started thinking about how long it would take to get her to go and leave her alone.

The next evening, while waiting for the money, the three talked to each other. Although the details are unclear to everyone, they begin to read between the lines and get to know each other a little better. The situation is complicated by the unexpected appearance of the gardener (Omar Leyva) the next morning. As time went on, tensions between all parties involved continued to mount, culminating when the money finally arrived.

From the opening lines to the 1940s-style font on the front page to the music behind it, we're definitely in the Alfred Hitchcock mood. The strangely syncopated, desperate score by Danny Benisi and Sonder Jurians is undoubtedly the most memorable aspect of this film. The way the dialogue is written and performed by the actors in this dark comedy gives the impression that the entire film is essentially a play adapted for the big screen.

In the opening sequence, an uninvited guest named Nobody walks slowly and quietly around the house for about 10 minutes in the credits. This sets the deliberate, sometimes tedious pace at which the rest of the film unfolds. The running time is only 90 minutes, but that might seem long to those who can't get into the rhythm of noir. You'll continue to see the situation resolve itself, but some might be tempted to hit the fast-forward button.

The actors really grab your attention regardless of the pace. Jesse Plemons looks greasy like a rich CEO, you will immediately get the feeling that this guy is an arrogant jerk. Thief Jason Segel has never looked dangerous, as the CEO actually said. Lily Collins (director Charlie McDowell's wife) is the only character who actually plays a female role, but it's not convincing why that is. 6/10




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