WHAT THEY DON’T TALK ABOUT WHEN THEY TALK ABOUT LOVE (2013) : CURIOSITA TENTANG CINTA

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WHAT THEY DON’T TALK ABOUT WHEN THEY TALK ABOUT LOVE (2013) : CURIOSITA TENTANG CINTA



Things you don't talk about when you talk about love.
2013 / 110 min / Muli Syria / Indonesia / 2.39:1 / R

Being the first Indonesian film to be selected at the Sundance Film Festival, it was finally released in limited theaters after successfully garnering hype among moviegoers in the country. Your own birthday.



When The Raid won the Midnight Madness Award at the 2011 Toronto International Film Festival, Indonesia was proud that its film industry was finally recognized by the world, as well as by Sony Pictures, one of the major players in the Hollywood industry. Classics Division -- has acquired the rights to short films for release in the US and other parts of the world. On the other hand, pessimists who do not want to realize the greatness of their country are still working. They argued with the director, Gareth Evans himself, who was no son of the nation. They say, "Vajar, the Caucasians did it!". they said. Apart from the entire cast and crew, they asked only one person who was actually of Indonesian descent. Disgusting? Clean.

But in 2013, their language does not work. Indonesian-born filmmaker Molly Suria made her Indonesian film debut with the industrial film Roman (2008). The short film "Don't Talk About Love" was successfully selected by the Sundance Film Festival, one of the most prestigious film festivals in the world. Fortunately, Molly is an Indonesian-born filmmaker and fluent in Indonesian, so there's no alibi to accuse this film of not being the work of a countryman.


Movie discussion tape

It's called Universal Tape. Thousands of films, thousands of songs, thousands of book articles and electronic articles are released every year, always spoken silently on tape. It is safe to say that there are no cinematic elements in the film, song, story and text. Ribbon is like salt in food and sugar in cake batter. Love always gives sweetness in work and life. Ribbon man menu. The audience plays the menu. All creatures love him. Life needs oxygen and ribbons to survive. The human rights of all inhabitants of this earth, regardless of narrow form. Because we and the inhabitants of the universe are born with ribbon fabric.

That's what this movie wants to emphasize. Mouly Surya tries to emphasize that love is the basic right of all inhabitants of the earth without any extras and all the details . It's rare for people with disabilities to be cast in mediocre films that aren't tear gassed because their suffering is exploited to the hilt. But not with this movie. Disabled people are the driving force of the plot, and the entire cast of main characters is full of them. Of course, but as Stanley Kubrick said: If you can write or think, you can paint. Nothing is impossible in the realm of manifestation.


Diana (Kareena Salim) is a visually impaired teenager who is "dropped" into her mother's school for disabled children. They say they are best friends with Fitri (Ayushita), who was once in love with her imaginary friend Pak Doctor (Nikola Saputra). Meanwhile, Diana falls in love with Andhik (Anggun Priambodo), a new student who suffers from blindness. This film tells the story of the tapes and how they lived from beginning to end.

Despite its ridiculously messy nature, Talking About Love is without a doubt one of the best Indonesian films ever made - or at least one I've ever seen. And not without reason. With the warm and charming opening of the film, the audience is captivated from the very beginning by Yunus Pasolang Araka's frame performance , smooth soft music and spontaneity of the moment. I understand talking passionately about love


Jump into destiny, heart alignment and life force

The narrative style is slow, sometimes surreal, and the minimal dialogue is equally appropriate, perfectly tied to the unfolding plot. For the audience, they not only understand what is happening on the screen through the expressive movements of the characters, but are also indirectly invited to experience the lives of blind and deaf people. How blind people interpret sounds and touch, and their eyes and dreams soothe beautiful images that support sound and touch. How deaf people imagine the detailed voices that explain these beautiful pictures and try to digest everything that happens, relying only on their sight.

But Mouly Surya does not want the audience to experience such a moment just because the organs of sight and hearing are working well. He wants the audience to feel the difficulty of understanding the world as all the characters in this film feel through this very unusual way of telling stories. To be honest, it's really smart because this experimental style already exists and is often used in arthouse films, but it's rarely used in this way.


One of my favorite scenes is when Mulli Suriya informs the audience that about 5 people on the set of the film are completely deaf. And it's amazing, you know , when a movie manages to bring an audience to the world and make the audience shock and enjoy what the characters in that movie are really going through. Simply put, the scene on the screen is so loud that the audience can't hear anything. How Mouly Surya manages the show is something to admire. It's like a cinema experience*, more complex than 4D, but very easy to do. *) As long as the audience around you is not alone

D Acting, the trio of Nicholas Saputra, Ayushita and Kareena Salim each deliver the unusual part expected for the characters they play, now in this film people are expected to shed their body fat (except for cameo purposes). But among the three, Ayushita is the best. Molly, who I played in the lead, put all the imagination she had that day into the script and became the main character of the plot of the film. However, when it comes to character studies, Mouly gives these three central characters enough screen time to develop into complex characters that are a lot of fun to watch.


Talking about the characters, Hella can be said to be unique and powerful in this film, with several violent scenes (which can be said to be random scenes, but gradually Merak's threads start to show). The basis of the story. Since he is not disabled, how is their love story? Can it be special now? This show can be seen as Molly's attempt to make the main characters into more natural and dreamlike places, and the result is amazing, because the power of the story is actually more powerful and effective and teaches you that you can't. This is God's plan to make the world more colorful.

In addition to the heartwarming story of the tape, which does not need memories, the plot of the film "Don't talk about love " has time to talk a little about life and routine, so as not to become too monotonous to melt the tape. Of course, these spices are not only offered to fill the time. This accessory changes the audience's perception that disabled people are not as weak as they are supposed to be, making this film -- in a way -- more human and a complete addition to this film.


In general, Talking About Love movie in Indonesian is Brave, Unique Blach, Loyal Blach, Beautiful Blach and The Talking Blank. Mouly Surya doesn't care if this movie succeeds at the box office. It's an absurdly romantic movie, a tightly constructed, silent movie dialogue that carries the kiss of verse without forcing the viewer to think about the viewer's spiritual needs , and the plot consists of a Negan quote. And it all boils down to a clichéd 3-word question and conclusion: What is tape? Well, good luck with your answer.





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