Judul : Vivamax: Review of 366: Resisting Recovery
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Vivamax: Review of 366: Resisting Recovery
April 16, 2022
John (Bella Padilla) and her boyfriend Pao (JC Santos) first traveled to Istanbul together after immigrating to the United States after a long-distance relationship of several years. One evening, Jun wanted something to eat, so Bao decided to buy food. When Jun woke up the next morning, he found that Bao had been in a fatal car accident and had to face his future alone.
Their mutual friend, John's neighbor chef Marco (Zangwi Marudo), was their trusted go-between, helping Pau and Jun do various small favors. After Bao's death, Marco challenged a desperate Jun to overcome his grief and move on with his life, to heal and forget, giving him 365 days to do so. To help them, Marco kindly agreed to do some things that Bao and Yun had never done together before.
Bela Padilla is one of the hottest young actresses today who never fails to provide her audience with characters to relate to and relate to. In two of those films, 10,000 Tula Para Kay Stella (Jason Paul Laxamana, 2017) and Vodka, Beer and Regret (Erin Villamore, 2020), Padilla is paired with JC Santos. Although Santos appeared in a few scenes here in "366", we can clearly see the harmony on screen.
Padilla has also devoted himself to screenwriting and has been praised for his excellence in this aspect of filmmaking. His first script was "Last Night" (Joyce Bernal, 2017), which tells the story of two depressed people (Paulo Pascual and Tony Gonzaga) who meet in adjacent hotel rooms with the intention of killing each other. Death and love also play a major role in his latest work
To complete the transition to triple threat cinema, Padilla also made his directorial debut with this film. His vision was very artistic and poetic and with the help of cinematographer Pao Orendain, he achieved the most memorable scenes. The most interesting part for me was that the camera panel around June was fixed in the foreground while the blurry background moved behind her at a blurring speed.
Since the film is about someone trying to recover from a great loss, it was inevitable that its pace would also slow down very slowly. The scenes surrounding June's inability to forgive herself feel repetitive and melodramatic. This bleak situation was saved by the sincere performances of Padilla (the cell phone breaking scene after the crash was intense) and Marudo (playing a character that was very believable but felt real). 6/10
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